Before I knew what art was, I was already making it.

A different road

Like a lot of artists, I was told early that making things was a beautiful detour — not a destination. So I took a different road. Over fifteen years in technology and product design, I helped shape digital experiences that reached millions of people, and I became fluent in the language of systems, strategy, and building. That work gave me something I didn’t expect: enough freedom to stop doing what I had to do, and start doing what I was made for.

The road brought me home.

What the work holds

My paintings explore Black legacy, aspiration, beauty, and the kind of imagination that refuses to be buried. I pull from history, African heritage, classical painting, mythology, and contemporary culture — not to quote the past, but to interrogate it. The work is interested in people who carried dignity through circumstances that didn’t offer much, and in what it means to dream at scale when the world has tried to limit your vision.

I make work for collectors who understand that a painting is not furniture. The pieces I create are meant to anchor a room, start an argument, preserve a story, and outlast everyone in it.

One drive, many mediums

I also run a game studio, build with emerging technology, and create animated narratives. The mediums shift. The drive doesn’t. Everything I make is a bet that it will still matter when I’m gone.